个人工作室位于住宅下面，配有两座窑。
1975年到2006年间，举办14次个人作品展，参加85次集体作品展，多次展览于加拿大进行，也于美国、墨西哥、日本等地举行展览。部分作品被永久收藏于安大略博灵顿文艺中心，温哥华哥伦比亚大学人类学博物馆、墨西哥维多利亚莫森大学。作品也被公共及私人收藏，受加拿大政府及所在州政府支持，游历各地，进行讲座、生活及进行其他陶艺活动。
加拿大皇家艺术学院成员。
创作30年来，人类的身体始终找创作、研究的主题，因此描绘、刻画、塑造及对人类身体状态进行抽象创作，最近10年对人类内心世界产生浓厚兴趣，对人于人之间的某些联系进行探索，从而进行创作。
近期作品试图使用非常规错乱的顺序来表示身体、大脑、骨骼、心脏及其它器官及身体部分，均为系列作品“堆叠”的组成部分，进而展示人类状态。为了表达对平衡、纯洁、简单及优雅的追求，创作了具有真人身高的圆柱状作品，以此激发观者对“生命的长度”的思索。
The human body has been a central subject of investigation in my art practice for 30 years. I have drawn, cut out, modeled and abstracted images of the body. In the last decade I have become interested in the inside as well as the outside of the human image, and how they relate to each other.
I currently construct forms to represent the body in a non literal, disrupted order. The brain, bones, heart, other organs, heads or faces, legs, arms, torsos are all part of the “stack” which represents the human conditions. I work in sections. The works are hybrids. I am interested in beauty and aesthetic issues. I aim for balance, clarity, simplicity and elegance. The life height columns allow the viewer to relate to the work as of human scale or “life size.” (I depend on metal poles for stability of the arranged components.) The smaller pieces are more intimate and can be touched. One recent series also includes organic forms and embellished motifs. I have also always been interested in pattern and geometry, which are seen in the tile benches of 2003 and earlier work.
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