I combine image and form in my ceramic works. Mainly I duplicate forms and make variants with imagery. First day in Fuping we saw an exhibition of ceramic pillows. I got fascinated in simple cubic forms and pillows become my theme.
I also found similar waves from roof tiles of the factory and I got an idea to use still wet tile forms as module to built pillow forms of my own.. I like the idea of transforming. Cutting and joining ready made slabs I can make variants of shapes.
Two dimensional image is as important as shape to me.. Usually my motives connected somehow to human body. I drew simple lines of arms and legs to the surfaces of pillows.
Now it is spring time in Fuping. Flowers start blooming but there is still barks and memories of last summer flowers. Chains and lines are the other theme in my working.  
In the old villages I saw very beautiful layers on the surfaces of buildings and objects. I made some terra sigilatas from the local clays to achieve the same ancient feeling like my pillows had been polished by touched hands. As an idea pillows remains me trying to find a dream.
我将图像与造型融入于我的陶艺作品之中。我主要是复制这种造型 并发挥想象制作不同的变体。来富平的第一天，我们看到了一个陶瓷枕展。我开始迷恋于这种简朴的立方体造型，因而枕头成为了我的创作主题。
我发现工厂脊瓦上也有相似的波纹，因而使我产生了用湿瓦来做模块的创意，用以制做我自己的枕头造型。我喜欢变换思维，切割和连接已经做好的泥片，使我制作出各种形状的变体。
对于我而言，二维图像如同外形一样重要……通常我作品的主题与人体有关。因此，我在这些枕头的表面画了一些胳膊和腿。
富平现正处于春季。尽管百花盛开，但这里仍有一些树皮以及去年夏天花朵留下的痕迹。链条和线条是我作品的另一主题。
在那些古老的村庄里，我看见了许多建筑物和物体的表面都有美丽的层叠。我用本地陶土制作了一些泥浆，用以找回像我用手抛光过的枕头一样的古老感觉。因为这些枕头唤醒我追梦的念头。