My works are very simple and essential but they contain a precise meaning.
I consider this new Chinese experience very strong and exciting. I’m very fond of this different, difficult and amazing reality. The Chinese experience is an important opportunity to develop my own ability, my technical skill and it’s a profitable moment of exchange and a personal enrichment.
My work made of different kind of clay represents some clods, fragments of a general territory on which a tiny space contains very little green grass.
Human being have transformed the environment and the lack of grass, meant like the nature in general, is for me a fundamental topic, suitable for this Chinese reality which is quickly developing itself every day but also in general.
我的作品是简单精练的，但包含着准确的含义。
我觉得在中国的创作经历是非常震撼和兴奋的。我喜欢这种异域艰辛的了不起的工程。中国之行给了我重大机遇去发展自己的能力和工艺技巧，也给文化交流和个人学习提供了契机。
我的作品由不同的陶泥制成，代表着不同的土地和领土范围，而绿色却仅占极小的空间。
人类在改造着自然，越来越少的绿色植物就是自然恶化的具体表现，这就是我创作的基本主题。这个主题对快速发展的中国乃至世界都是适宜的。