通过这些作品,我想让参观者感受空间,时间和造型之间的关系。这些大且精美的陶瓷工艺品,自然光线的变化会使人感觉它在持续缓慢地移动。在作品里,我展示的是空间和景物重复交织的“中国风景”,并避免使参观者用一种固定的眼光去欣赏我的作品。重复的运用暗示着和协与秩序,同时也是对社会力量的间接赞美。
I want to let the viewer experience spaces, form, and time. Changing natural light brings a slow continuous motion to the massive, though elegant structures. In work I am presenting here ‘Chinese Landscapes’, the repetition of forms interlaced with the void, removes the eye from the possibility of becoming imprisoned in any particular solidification and crystallization. The use of repetitions implies a shared sense of harmony and order, but it can also be seen as an indirect compliment to the strength of community.
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