我把陶瓷看作是一种需要理解但不需要限制的材料. 对表达形式而言，所有适当的和不适当的材料都可以。如果这样，它就跳出了手工艺的限制，要完成好一件作品，就更需要专业的技能。一件作品是否被当作一种风景,一种设计或者是一件雕塑品，或一个杯子或一种表现形式-这都不重要。材料和表现方法也不重要，重要的是主题和陶瓷所能有的贡献。 I view ceramics as a material that is to be understood and unlimited, open to all possible material-adequate and material-inadequate for forms of expression. These demands, commanding the skills of ceramic craft while transcending the limits of the crafts. Whether a work is to be considered as a landscape, a design or a sculpture, a cup or a performance – this decision should not be looked on as the point of departure in the creative act. Neither should it be the material Nor the means of expression. The first step should be the theme and the possible contribution to it. |
